Nearly all of the vessels in the calcite a fabric group are large jars of the alexander s unslipped ceramic group n 15 but it is also represented by thinner walled cayo unslipped jars n 4 a cayo unslipped bowl n 1 and monochrome red silver creek impressed serving vessel n 1 serving vessels see fig.
What is maskall unslipped ceramics in maya.
Flect peten maya affiliation presumably because most pottery styles with the exception of glyph banded vessels more strongly re flect the group s cultural affinity than individual political.
Mexico or guatemala maya lowlands earthenware with colored slips.
By the locona phase there were several large villages in the mazatán zone some of which had large scale architecture elaborate ceramics and figurines imported obsidian and a well developed lapidary.
Louisiana state university lsu digital commons lsu master s theses graduate school 2004 hidden landscapes of the ancient maya.
Robert fry interrogates assumptions about pottery production and exchange with case studies from two regions using monochrome slipped bowls and unslipped jars the more ordinary pottery of the maya which has not been given as much attention in regard to these issues.
Because of issues of sample size fry unlike the authors of other chapters in the volume does not use type variety but this.
This is an abstract from the where is provenance.
12 and table 5.
Late to terminal classic unslipped jars and monochrome serving vessels are produced in largely the same way.
Interaction among non elites occurs across spatially defined polity boundaries.
Common ceramic forms during this time were open bowls or dishes and unslipped tecomates.
Ceramic provenance studies often focus on resource acquisition to address the question what is local overlooking the role that practice plays in vessel manufacture.
Transect excavations at arvin s landing southern belize.
Bridging method evidence and theory for the interpretation of local production session at the 84th annual meeting of the society for american archaeology.
Slipware is pottery identified by its primary decorating process where slip is placed onto the leather hard clay body surface before firing by dipping painting or splashing.
The lid is painted with abstract geometric patterns in red on a natural unslipped ground without outlining.
Utilitarian ceramic vessels form the bulk of artifact assemblages in the maya lowlands but little is known about their production beyond the likelihood that they were made in a domestic context.